Film Revision: Key Words
- Close-up: Used to film just the head or face.
- Cut: An instant change from one frame to another.
- Deep focus: Foreground, middle ground and background are all in focus.
- Dissolve: A move between two shots (i.e. a transition) during which the first image gradually disappears while the second image gradually appears
- Extreme close-up: Used to film very small details closely.
- Fade-in: Necessary for the beginning of a scene. A dark screen gradually brightens as the shot appears.
- Fade-out: A shot gradually darkens as the screen goes black.
- Fourth wall: Audience occupies the fourth wall, looking in on what is happening (as in a theatre). Breaking the fourth wall happens when a character addresses the audience, turns to the camera, comments on the fact they are aware that they are in a play etc.
- Frame: Single image.
- Long Shot: Framing in which the scale of the object shown is small.
- Melodrama: Music swells and carries emotion.
- Mise en scène: Everything on camera (costumes, lighting, colour, location, situation of objects and characters, etc.).
- Montage: Sequence of images or scenes used to compress the passage of time, suggest memories, summarise a topic, etc.
- Pathetic Fallacy: Attributing human emotions to inanimate objects, animals, or aspects within nature. In other words, the atmosphere/setting echoes the mood/thoughts/emotions/conduct of the protagonist. It is an external expression of internal states and the inner protagonist becomes connected with the environment/outside world. In other words, it establishes metaphorical links between objects of abstracts. (Basic examples include rain when a character is upset or a beautiful landscape during a happy moment.)
- Point of view: There are a few variations of POV shots. Typically, it’s a shot taken where the camera is placed where the character’s eyes would be, showing what the character would see (i.e. the character is in possession of the perspective and we are looking through their eyes).
- Wipe: Type of transition in which the screen ‘wipes’ from one frame/scene to another, creating an overlap – as one scene disappears, another replaces it.
Posted on 24/01/2014, in Comparative Studies, Media Studies and tagged Citizen Kane, Disney, examples, film, Hitchcock, images, intro, introduction, key words, Kill Bill, Miranda, Miranda Hart, movie, Pixar, revision, Snow White, Star Wars, Tarantino, The Shining, Up, Vertigo, Woody Allen. Bookmark the permalink. 2 Comments.